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<channel>
	<title>Aimee See ______</title>
	<link>https://aimeeqs.com</link>
	<description>Aimee See ______</description>
	<pubDate>Wed, 30 Aug 2023 19:45:33 +0000</pubDate>
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		<title>Menu</title>
				
		<link>https://aimeeqs.com/Menu</link>

		<pubDate>Wed, 05 Jan 2022 00:41:47 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

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		<description>

	
	
    
    C
    	l
    	o
    	s
    	e


	
    Category
    
    Museum Research
    
    User Research
    
UX DesignData Analytics and Visualization (coming soon)


	Projects (A-Z)Balenciaga Curation China Journey

Bios + Morphe = Biomorphism

Brioni: The Story Behind The Legend
Bvlgari: Bloom with Mandala

Canada Ingenium Museum Website Analysis
Contemporary Art&#38;nbsp;Collections with Data Visualization
Cooper Hewitt Museum API
Devialet: Better than Better - Phantom

Fenton Museum Digital Strategy
Harry Winston: The Diamond Legend

kate spade new york: Sky Lanterns
Lacoste: Chinese New Year Campaign

Loewe: Virtual 360 Gallery

Metropolitan Museum of Art Eye-tracking

Museum Research: Data Visualization



	
Man Ray: Linking Object-Based Archival Collections

Nike: Techbook &#38;amp; Sneakerboots
New York Times EventsPA Consulting 
Pratt Institute Heatmap and A/B Testing
SXM Media
Uniqlo Unmoderate Testing

Varible West UI &#38;amp; UX




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		<title>homepage</title>
				
		<link>https://aimeeqs.com/homepage</link>

		<pubDate>Wed, 15 Sep 2021 17:36:58 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/homepage</guid>

		<description>

	Welcome to my world! 
I am Aimée, a New York-based researcher blending data analytics with captivating design. Explore with me as we merge creativity with data-driven insights in the institutional sectors. Let's dive in together!
Scroll to explore
	
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		<title>Third Page</title>
				
		<link>https://aimeeqs.com/Third-Page</link>

		<pubDate>Tue, 04 Jan 2022 04:48:37 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Third-Page</guid>

		<description>
	
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/2d33c4c1ab83f5baed9bb7fffc4d333daead77e3e726284f28e1fa6a3c79a425/PA.jpg" data-mid="189338783" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2d33c4c1ab83f5baed9bb7fffc4d333daead77e3e726284f28e1fa6a3c79a425/PA.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/61fa445b02c3bf0fdbd4a023d8ffe24e7b70acc8b7b750254bd0710d697e0016/nyt-new.jpg" data-mid="189337618" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/61fa445b02c3bf0fdbd4a023d8ffe24e7b70acc8b7b750254bd0710d697e0016/nyt-new.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/4ed3e887bc74b511d1163d7ff7d4c938f5006d2e28835e51095aea357f564b6f/Ingenum.jpg" data-mid="189337482" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/4ed3e887bc74b511d1163d7ff7d4c938f5006d2e28835e51095aea357f564b6f/Ingenum.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/57839a0d76be4f7cb3c4a0331b2a86671dd4f51b4e978e54946b2a41e9613751/VWt.jpg" data-mid="189339854" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/57839a0d76be4f7cb3c4a0331b2a86671dd4f51b4e978e54946b2a41e9613751/VWt.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/972b3f68702cc76c57a642754db7252c4800a500e687f162593ad9e803835b5f/met.jpg" data-mid="189337387" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/972b3f68702cc76c57a642754db7252c4800a500e687f162593ad9e803835b5f/met.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/c67a23919fef0915abb0c50d0ebd8197ec666dcc54c1234dc3ddc4e72c5d6f62/metadata.jpg" data-mid="189338611" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/c67a23919fef0915abb0c50d0ebd8197ec666dcc54c1234dc3ddc4e72c5d6f62/metadata.jpg" /&#62;
&#60;img width="1800" height="840" width_o="1800" height_o="840" data-src="https://freight.cargo.site/t/original/i/a70c4f197529858683d24846ba4e6bec91c52e0a6d4b9f75026e0488d38f51d3/CooperHewitt.jpg" data-mid="189339385" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/a70c4f197529858683d24846ba4e6bec91c52e0a6d4b9f75026e0488d38f51d3/CooperHewitt.jpg" /&#62;


	Current Project

	


	Chrysalis Research
	

	SXM Media

	

	MET Museum

	

	
	
	
Variable West

	
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	<item>
		<title>Third Page copy</title>
				
		<link>https://aimeeqs.com/Third-Page-copy</link>

		<pubDate>Wed, 30 Aug 2023 19:45:33 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Third-Page-copy</guid>

		<description>
Let's embark on a journey of project discovery!&#38;nbsp;→&#38;nbsp;
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	<item>
		<title>Foot in black</title>
				
		<link>https://aimeeqs.com/Foot-in-black-1</link>

		<pubDate>Tue, 04 Jan 2022 04:17:19 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Foot-in-black-1</guid>

		<description>


	© 2023 Aimee Shi. All rights are reserved
	
	
	LinkedIn

CV
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		<title>Aimee's Resume</title>
				
		<link>https://aimeeqs.com/Aimee-s-Resume</link>

		<pubDate>Wed, 15 Sep 2021 20:37:36 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Aimee-s-Resume</guid>

		<description>
	Say Hello!

I am Qin (Aimee) Shi, an innovator based in New York City combining thinking,

analyzing and designing to create utterly interactive user experience. 
My STEM graduate studies and research at Pratt Institute demonstrates my 
unwavering passion
for the connection between museum professions and user experience. I love learning and participating about dreaming up incredible and innovative user experiences involving data research, UI/UX and interactive technology. I am also with creative, capable, trained professional design background with 
B.A Communication Visual Design and worked as creative designer to craft interactive digital and tangible experiences since 2010. Ranging from products and campaigns in entertainment and media, technology and innovation, beauty and fashion, community developments, to cultural institutions. 

My client list includes Brioni, Delvaux, LOEWE, NIKE, Harry Winston, and kate spade new york among many others.

Let’s make something

Linkedin&#38;nbsp; &#124;&#38;nbsp; Email&#38;nbsp; &#124;&#38;nbsp; CV

	
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	<item>
		<title>Museum Digital Culture</title>
				
		<link>https://aimeeqs.com/Museum-Digital-Culture</link>

		<pubDate>Wed, 15 Sep 2021 20:37:36 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Museum-Digital-Culture</guid>

		<description>
	
	&#60;img width="2444" height="1618" width_o="2444" height_o="1618" data-src="https://freight.cargo.site/t/original/i/e358dbb5a6e61d3d0d98556ddbd2f9f4d879518cbd2786005f4258fe99a96224/cover-2.jpg" data-mid="123227779" border="0"  src="https://freight.cargo.site/w/1000/i/e358dbb5a6e61d3d0d98556ddbd2f9f4d879518cbd2786005f4258fe99a96224/cover-2.jpg" /&#62;


Data Visualization in the Museum
Research about how data visualization engages museum’s experience and the cultural institutions&#38;nbsp;
	&#60;img width="2444" height="1618" width_o="2444" height_o="1618" data-src="https://freight.cargo.site/t/original/i/350153a7d967bb24fb2de8b5536ed46096c63e90a0f1721cb74c97b0d7e8c0e2/cover1.jpg" data-mid="123227095" border="0"  src="https://freight.cargo.site/w/1000/i/350153a7d967bb24fb2de8b5536ed46096c63e90a0f1721cb74c97b0d7e8c0e2/cover1.jpg" /&#62;

Bios + Morphe = Biomorphism
Structured  Metadata with Collection Content Management



	&#60;img width="2444" height="1618" width_o="2444" height_o="1618" data-src="https://freight.cargo.site/t/original/i/7f528d58ea1ce6618558b64070d7dc4e54111f1aff5bb76df31b83855a6878f2/cover-3.jpg" data-mid="123228019" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/7f528d58ea1ce6618558b64070d7dc4e54111f1aff5bb76df31b83855a6878f2/cover-3.jpg" /&#62;

Web Analytics for Canada Ingenium Museum
Analyzing and evaluating the digital data from organization

Maira Kalman“ A visit to a museum is a search for beauty, truth, and meaning in our lives. Go to museums as often as you can.”

	&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/9ad6e1dcfe9c6a6dcd9d2b23baf70b4ca66882978c4dfc8017c960e1843f22ac/cover-4.jpg" data-mid="123629975" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/800/i/9ad6e1dcfe9c6a6dcd9d2b23baf70b4ca66882978c4dfc8017c960e1843f22ac/cover-4.jpg" /&#62;
Cooper Hewitt Museum APIModerating Usability Test for Institution Website




	
&#60;img width="400" height="500" width_o="400" height_o="500" data-src="https://freight.cargo.site/t/original/i/fe3e2093afa1966b385c76cfc079056858a17f750283117cbe2f095636c3e8b7/fenton.jpg" data-mid="125454368" border="0"  src="https://freight.cargo.site/w/400/i/fe3e2093afa1966b385c76cfc079056858a17f750283117cbe2f095636c3e8b7/fenton.jpg" /&#62;Fenton Museum Digital Strategy
Analyze and structuring institutional digital strategy
	&#60;img width="800" height="700" width_o="800" height_o="700" data-src="https://freight.cargo.site/t/original/i/57aca3789c27b3bc4c354247a28209ff218f628857853cec862523a26687dbc6/cover-5.jpg" data-mid="123745455" border="0"  src="https://freight.cargo.site/w/800/i/57aca3789c27b3bc4c354247a28209ff218f628857853cec862523a26687dbc6/cover-5.jpg" /&#62;

	Linking Object-Based Archival Collections -&#38;nbsp;Man Ray

Demonstrate how to link digital objects and information in SNAC (Social Networks and Archival Context) records





	&#60;img width="1000" height="800" width_o="1000" height_o="800" data-src="https://freight.cargo.site/t/original/i/80dd9f2b7728d2c400922cbcaae1d4da7aca52aee4942800e4bbaf3e587d9d00/MET.jpg" data-mid="125270808" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/80dd9f2b7728d2c400922cbcaae1d4da7aca52aee4942800e4bbaf3e587d9d00/MET.jpg" /&#62;
Creating a Streamline Navigation for Planning/Ticket Purchase Experience

Eye-Tracking Metropolitan Museum of Art website

	“As we focus more and more on digital and online experiences, are we sacrificing any of the human-centered elements that have been at the core of museum education for more than a century?”

	&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/13e081fd68275cbeb11a31bd3d8893e868813f92d463f129d427087a9506fc1d/EyeVZunXAAQAdX7-1024x1024.jpeg" data-mid="125454556" border="0"  src="https://freight.cargo.site/w/1000/i/13e081fd68275cbeb11a31bd3d8893e868813f92d463f129d427087a9506fc1d/EyeVZunXAAQAdX7-1024x1024.jpeg" /&#62;

NFT Art Researchupcoming soon...




</description>
		
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	<item>
		<title>ManRay</title>
				
		<link>https://aimeeqs.com/ManRay</link>

		<pubDate>Sun, 28 Nov 2021 13:46:49 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/ManRay</guid>

		<description>
	&#60;img width="999" height="290" width_o="999" height_o="290" data-src="https://freight.cargo.site/t/original/i/734200b7c2549429e06516608f71566b92620520666196fc8a688ed08a85c8b9/Museum-8.jpg" data-mid="125885955" border="0" data-scale="100" src="https://freight.cargo.site/w/999/i/734200b7c2549429e06516608f71566b92620520666196fc8a688ed08a85c8b9/Museum-8.jpg" /&#62;


	Man Ray: SNAC Record Reconciliation

	
	The final project of Musuem Information Management focused on how to link digital archival records and objects on SNAC (Social Networks and Archival Context). Man Ray&#38;nbsp;(Emmanuel Radnitzky) is a diverse, renowned fashion and portrait photographer. When I started the research by assessing the current records associated with “Man Ray” in the SNAC database, I was surprised to find that&#38;nbsp;SNAC shows 4 results of Man Ray. Only one is about Man Ray. Another 3 of them related to Man Ray, but it is about his spouse, Juliet Man Ray. There is no his born name Emmanuel Radnitzky in the SNAC.&#38;nbsp;
Permalink: http://n2t.net/ark:/99166/w64j0gzx 
Ark ID: w64j0gzx 
SNAC ID: 52092634I conducted research to find various repositories with information related to Man Ray for two gaps: less&#38;nbsp;















Introduction/
Biography and less&#38;nbsp;














Archives. I attempted to give as full a picture of the prolificness of Man Ray’s life and work as possible.&#38;nbsp;&#60;img width="1924" height="1470" width_o="1924" height_o="1470" data-src="https://freight.cargo.site/t/original/i/c14780220d95cda51e95b7535fc25b8253fccffd98c4829bbfce83373bf0ada3/Screen-Shot-2021-11-28-at-11.44.43-PM.png" data-mid="125885508" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/c14780220d95cda51e95b7535fc25b8253fccffd98c4829bbfce83373bf0ada3/Screen-Shot-2021-11-28-at-11.44.43-PM.png" /&#62;

















The
related descriptions links Virtual International Authority File, WorldCat
Identities, LC Name Authority File and Wikidata do not include a comprehensive
biographical information. 
















Museum
of Modern Art &#38;nbsp;(MoMA) and Wikiart, both
archive Man Ray collection and link to sufficient biographies from Man Ray’s
Wikipedia. The other is from his Getty edu. There two biographies could be
combined to be a sufficient and all-inclusive biography.

&#60;img width="1958" height="1540" width_o="1958" height_o="1540" data-src="https://freight.cargo.site/t/original/i/8548fb8f7d253182f530c4e7b0c71c2b5c597280ec900025a9a58646a39f7c6b/Screen-Shot-2021-11-28-at-11.47.30-PM.png" data-mid="125885679" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/8548fb8f7d253182f530c4e7b0c71c2b5c597280ec900025a9a58646a39f7c6b/Screen-Shot-2021-11-28-at-11.47.30-PM.png" /&#62;
 



This project required the application of API best practices, named entity reconciliation, and an understanding of controlled vocabularies for name resolution. I extracted the data through API to fill in the gaps in the SNAC data with data I found from the external repositories. This project showcases my ability to&#38;nbsp;show how the data discovered in other repositories enriches the data in SNAC - You can explain this via human readable records from the external repositories.
Read the full report &#124; View full presentation
	

	


</description>
		
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		<title>Data Visualization Engage Museum Interaction with Audiences</title>
				
		<link>https://aimeeqs.com/Data-Visualization-Engage-Museum-Interaction-with-Audiences</link>

		<pubDate>Fri, 15 Oct 2021 17:19:02 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Data-Visualization-Engage-Museum-Interaction-with-Audiences</guid>

		<description>
	


&#60;img width="999" height="290" width_o="999" height_o="290" data-src="https://freight.cargo.site/t/original/i/f89c6572713b282a9c4ab016fe17280b4e3239e59b0707b4d3e4c9f7f8a7b277/Museum-2.jpg" data-mid="123160918" border="0"  src="https://freight.cargo.site/w/999/i/f89c6572713b282a9c4ab016fe17280b4e3239e59b0707b4d3e4c9f7f8a7b277/Museum-2.jpg" /&#62;

Climate data visualization at the AMNH. ©
AMNH







	




Data Visualization Engage Museum Interaction
with Audiences





	 
	I spent the semester investigating not only the relationship between data technologies and cultural institutions, but also the use of data visualization pose some challenges and limitations for institutions for my Fundation of Information research. My final assignment topic created an overview of data visualization’s role in museums and assessed the effectiveness of its use in several institutions in New York City. I discussed the three parts of data visualization involving the cultural heritage and their application toward increasing museum engagement. The three parts of data visualization are:
 
1. Communication with audiences; 2.
 Interaction with audiences; 3. The analysis of data created by the audience.
 I researched how data visualization could be a positive addition to the museum technology sector and how museums use data visualization to engage wider audiences. Data visualization also has obstacles due to location or environment, lack of human resources, and the timeline of projects.I selected three data visualization case studies in the different institutions: the British Museum, Google Art and Culture, and Museum of Modern Art (MoMA), to&#38;nbsp;demonstrate how these three museums used data visualization to analyze audiences’ journey with the museum and collection and what part of technology can be improved.

[Read the full essay]
	

	&#60;img width="500" height="1000" width_o="500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/84c4db57404e0dbcd6b6f862679ff44155427ac5dec6f49804296bdedb04c155/Museum-2a.jpg" data-mid="123153724" border="0" data-scale="81" src="https://freight.cargo.site/w/500/i/84c4db57404e0dbcd6b6f862679ff44155427ac5dec6f49804296bdedb04c155/Museum-2a.jpg" /&#62;
	&#60;img width="500" height="1000" width_o="500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/710730fcb6d2ea75e92d8197d44f7a2c33dd490411e1c331acf75ecd8945967c/Museum-2b.jpg" data-mid="123153055" border="0" data-scale="81" src="https://freight.cargo.site/w/500/i/710730fcb6d2ea75e92d8197d44f7a2c33dd490411e1c331acf75ecd8945967c/Museum-2b.jpg" /&#62;
	&#60;img width="500" height="1000" width_o="500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/72d9c38649bc68bd0c344159820da1aa0e614a85894ff9b7682cb0b9f8181ead/Museum-2c.jpg" data-mid="123154633" border="0" data-scale="81" src="https://freight.cargo.site/w/500/i/72d9c38649bc68bd0c344159820da1aa0e614a85894ff9b7682cb0b9f8181ead/Museum-2c.jpg" /&#62;

</description>
		
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	<item>
		<title>Bios + Morphe = Biomophism </title>
				
		<link>https://aimeeqs.com/Bios-Morphe-Biomophism</link>

		<pubDate>Sat, 30 Oct 2021 21:06:52 +0000</pubDate>

		<dc:creator>Aimee See ______</dc:creator>

		<guid isPermaLink="true">https://aimeeqs.com/Bios-Morphe-Biomophism</guid>

		<description>
	




&#60;img width="999" height="290" width_o="999" height_o="290" data-src="https://freight.cargo.site/t/original/i/f25419772481b208b2210b9b20727a42a5de2af4a9ba5ef75422d717a2172518/Museum-3.jpg" data-mid="123160857" border="0"  src="https://freight.cargo.site/w/999/i/f25419772481b208b2210b9b20727a42a5de2af4a9ba5ef75422d717a2172518/Museum-3.jpg" /&#62;
Constantin Brâncuși Atelier Workshop



	Bios + Morphe = Biomorphism





	

	 





	Museum Information Management is the core study to manage museum’s collection. For this project, I created a sculpture collection of museum objects from various online repositories and using Omeka S, which is an open-source content management system, to showcase it. The collection page also compiled descriptive metadata using Metadata Standards Crosswalk to controlled vocabularies to describe the scope and context of the materials.
I chose Biomorphism sculpture as my key research topic and found four representative artists: Constantin Brancusi, Jean Arp, Barbara Hepworth, and Isamu Noguchi. While researching the collection information, metadata of artists and artworks in New York Museums has different standards to control vocabulary in their CMS. So for my collection, I assigned Categories for the Description of Works of Art (CDWA) as my guideline to describing the category. I also used Cataloging Cultural Objects (CCO), a guide to describing cultural works and their Images. It includes rules and examples for a core subset derived from the CDWA categories and the VRA Core Categories.


	

	
	&#60;img width="750" height="880" width_o="750" height_o="880" data-src="https://freight.cargo.site/t/original/i/0fad2b5cfbf6d7948a4dc68629bc04f70e0153ad807a2075e9f14c3afd21b061/CSV.png" data-mid="123173964" border="0" data-scale="90" src="https://freight.cargo.site/w/750/i/0fad2b5cfbf6d7948a4dc68629bc04f70e0153ad807a2075e9f14c3afd21b061/CSV.png" /&#62;CSV collection research list
	


	&#60;img width="1162" height="1486" width_o="1162" height_o="1486" data-src="https://freight.cargo.site/t/original/i/deb67dae456926219c6b6a014d95dd8957ae7674649e8f792bfafd2702e50a7c/crosswalk.jpg" data-mid="123174053" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/deb67dae456926219c6b6a014d95dd8957ae7674649e8f792bfafd2702e50a7c/crosswalk.jpg" /&#62;Metadata Standards Crosswalk


	

	

	I conducted CSV collection research to find various repositories with data related to my collection and included artists' biography and as many archival artworks. After the research, I identified Resource Template with the metadata fields my collection required. Also, I named convention for the identifier. In order to enrich my collection metadata and make it more consistent, each item is also associated with Item Set with my site in the Omeka System.
	

	&#60;img width="800" height="410" width_o="800" height_o="410" data-src="https://freight.cargo.site/t/original/i/6d9785bfe8b26c0260388c9c8d5a819738fc94aa3d7117a6cb14c0f38efbccb4/ezgif.com-gif-maker-7.gif" data-mid="123915853" border="0"  src="https://freight.cargo.site/w/800/i/6d9785bfe8b26c0260388c9c8d5a819738fc94aa3d7117a6cb14c0f38efbccb4/ezgif.com-gif-maker-7.gif" /&#62;Mlle Pogany from Constantin Brancusi collection

	
	This project required me to successfully drive my ability to utilize the best digital and analog practices in advancing information management, particularly collections information. It also addressed the structured Metadata that allows Digital collections in the institutions to make connections more accessible and sustainable, not only for the online users and also for the educators and researchers. Through this project, I now understand the value of the protocols on the use of collection management systems like Omeka in conjunction with a DAM for documenting a museum collection.

[ See Biomorphism Collection Omeka Website ]
	

	


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